During the synod the basilica was, ominously, severely damaged by an earthquake in the year 896. This is the Piazza di Porta San Giovanni. Two deer (Ps 42:1) and six sheep drink from these, which run into the River Jordan (labelled as such), itself a symbol of Baptism. This was in the corner of the frontage and the atrium, and probably replaced an earlier building. The 5th century entrance portico was remodelled by Pope Anastasius IV in 1154, when the two transverse apses were converted into chapels and the portals given two screen walls and a doorcase. The floor also matches that of the transept, and has a central roundel depicting the same coat-of-arms in pietra dura inlay. The roofline has a dentillated cornice with modillions over a frieze with more lions and pears, and from the piazza to the east you can see a single-storey belvedere tower. To the left of the central motif, and venerating it, stand the Blessed Virgin, St Francis of Assisi and the Apostles Peter and Paul. The site of this edifice is now unknown, but seems to have been on the Esquiline north-east of the basilica. It is thought that these columns are 17th century replacements. Over each side wall entablature is a large fresco, flanked by a pair of windows with segmental pediments. Pope Eugene IV (1431–1447) oversaw the completion of this restoration project. The room was originally constructed by Pope Eugene IV in 1440, and restored in 1594 by Pope Clement VIII. Three porphyry columns supported an entablature, on which was the balcony proper which had a single large trefoil opening over a solid carved marble balustrade flanked by a pair of columns in verde antico. There follows the entrance lobby to the palace, designed by Fontana but altered by Borromini. He used twenty-four in the nave aedicules. The little chapel is on a Greek cross plan, with a vestibule. In 1929, the Lateran Treaty finally regularized the relationships between the Holy See and Italy, and the basilical complex became an extra-territorial entity. An atrium with colonnaded ambulatories is a possibility, although the one known to be here seems to have been built later (as at St Peter's). The surprise winner was Alessandro Galilei, a Florentine hardly well-known in Rome. To the left of the chapel entrance in the transept is an ornately decorated red stone tablet surrounded by pietra dura marble inlays, which records the twenty-fifty anniversary of the reign of Pope Pius IX in 1871. The ancient sculptures in the Piazza di San Giovanni in Laterano, including the equestrian statue of Marcus Aurelius, were donated to the city and taken to the Campodoglio in 1558. There are five of these piers on each side, with a sixth attached to the counterfaçade. The quarrying and transport of this very hard stone from such a remote and hostile location was a major undertaking, and the use of the stone was a monopoly of the emperor. The complex never recovered, because the French Pope Clement V (1305–1314) refused to move to Rome after his election and settled at the papally governed enclave of Avignon in the south of France. Pope Paul III (1534-49) rebuilt the dome of the baptistery. The round-headed altarpiece in a yellow marble Baroque frame depicts Christ crowning the two martyrs. Bay VII North has an impressive triangular slab with Cosmatesque decoration including a central rose aperture and two heraldic shields. Eight more are folded into the far corners of the cross arms. His successor, Pope Hilary (461-468) founded three subsidiary oratories dedicated to St John the Baptist, St John the Evangelist and the Holy Cross which were to each side and the back of the baptistery (the last-named was demolished in 1588). 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